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Two women's struggle to survive during the Dark Ages is complicated when a childhood friend returns with bad news.
A mysterious being appears in the desert and assumes the identity of the first person she sees – a magazine cover girl. Taken in by Iranian immigrants, she forms an understanding of her new surroundings, and comes to appreciate the beauty and the sadness of her new world.
A suburban woman fights to be believed as she finds herself stalked by a threatening figure who returns to her house night after night.
An ominous mixtape blends never before seen snuff footage with nightmarish newscasts and disturbing home video to create a surreal, analogue mashup of the forgotten Eighties.
Expanding the possible Fernanda Salgado on fantasy, reality, Jan Švankmajer and Ana, En Passant
A burning thing Sneha Mehta and Teddy Stern on falling in love with Mumbai, and making Getar Hero
Nothing is impossible Paul Rowley on moving to New York, the Pulse massacre, and Gays Against Guns
‘The only thing that makes a story universal is emotions’ Warsaw’s Industry panel discuss reaching audiences abroad
The only thing worth saying Chuko and Arie Esiri on adapting Mrs Dalloway and making Clarissa
European Film Academy shortlist announced 68 features vie for nomination
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It's a busy time for festivals and here's the latest:
London Winners announced
Tallinn Black Nights UK co-production joins Works In Progress
Warsaw What Belongs To Others takes top prize
Tallinn Baltic Competition, Rebels With A Cause and Critics' Picks titles announced
Dinard I See Buildings Fall Like Lightning named Best Film